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WERKDRUCK No. 30
Victor Cobo was born in 1971 to a Spanish mother and an American father. His autobiographical pieces explore the shadows of life while unearthing secrets through sometimes lurid and playful melodramas. Most obvious are themes relating to escapism, alter-ego, longing, androgyny, eroticism, mortality and the human condition. His photographs are noted for their psychological penetration, and for their often discomforting examination of uncertainty and inexpressible fears.
From the age of seven, Cobo received artistic training from his grandfather in figure drawing. He is a self-taught photographer who draws inspiration from Surrealism, Film noir and German Expressionism. Repeated visits to The Museo del Prado in Spain with his taxi-driving grandfather and seeing midnight thrillers with his poor and drug-addicted father as a child changed his life.
In 2007 his works were included in "Masters of American Photography" at the Amon Carter Museum of American Art with William Eggleston, Robert Frank and Lee Friedlander. In 2010 Cobo's works were included in "Hauntology" at the Berkeley Art Museum and Pacific Film Archive, alongside such artists as Francisco de Goya, Francis Bacon and Diane Arbus. The exhibition was curated by Scott Hewicker and Lawrence Rinder.
the new book series of edition GALERIE VEVAIS.
Chief Editor and special advisor for VEVAIS-WERKDRUCK (photography) is the renowned photographer Jock Sturges.
Project editors include acclaimed poet and photo historian, Prof. John Wood, poet and photography critic, Steven Brown, and Alexander Scholz.
VEVAIS-WERKDRUCK books consist of twenty images which highlight astonishing work from both new and renowned painters, photographers, and graphic designers. Each hardcover book (approx. 30 x 43 cm) is bound by hand with Japanese binding, signed and numbered by the artist, and published in an edition of 300 copies.
Because of the sophisticated printing methods involved, each print is unique, an original. Scholz uses the world's best reproduction/photographic printing techniques. Digital files undergo traditional darkroom chemistries and develop on paper with red, green, and blue light (C-Prints). Some will be printed as pigment print or as UV print. Black and White pictures will be also presented on Baryta paper. Before binding, in some books the prints are mounted fully on special boards. For pigment prints, Scholz works with Hahnemühle paper and for UV-prints (digital screen printing), Scheufelen paper. Some books will be printed with a special digital color technology on Munken, a Swedish paper.
Scholz works with the printers Ralf Lenk / Scancolor and Max van Pham / Fine Art Factory—dedicated artisans who always find innovate ways to produce perfect pictures. Given the unparalleled production and specialization involved, Edition GALERIE VEVAIS guarantees the quality of these prints for up to 100 years.
For collectors of this stunning series WERKDRUCK, edition GALERIE VEVAIS offers an exclusive display of acrylic glass which doubles as a minimalistic sculpture for private living rooms, galleries, and libraries. The basic model for this acrylic stand holds four VEVAIS-Werdruck books. But for those who need more space, the basic model can be extended in two ways. By standing the sculpture in one line or by facing the corners inward, you can add four more books to your collection for a total of eight. The second model can be extended to a more dimensional sculpture of unlimited capacity.