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WERKDRUCK No. 4
Renée Jacobs is one of the most celebrated photographers of the female nude of our time. Recipient of the prestigious International Photography Award for Fine Art Nude, her work has been exhibited and published around the world.
Her 2009 & 2010 photo calendars went to #1 on Amazon. Monographs of her work include Werkdruck (2012/Editions Galerie Vevais, edited and with an introduction by Jock Sturges); Renée Jacobs' PARIS (2013/Editions Galerie Vevais) and Reves de Femmes (2014/Editions Bessard). Magazines that have featured Renée's work include Silvershotz, Adore Noir, PH Magazine, Fine Art Photo, Nude Magazine, Photoicon, French Photo, B&W Magazine, Focus, FHM Turkey and numerous others. Her interviews of Charis Wilson, Araki, Lillian Bassman, Shelby Lee Adams, Douglas Kirkland and others have been featured in magazines around the world. She has been featured in numerous anthologies, such as Taschen's Mammoth Book of Erotic Photography.
Renée's early photojournalism included assignments for The New York Times, Philadelphia Inquirer and many other newspapers and magazines. She received the Robert F. Kennedy Award for Outstanding Coverage of the Disadvanatged and her work is in the permanent collection of the John F. Kennedy Presidential Library. Her first book, Slow Burn: A Photodocument of Centralia, Pennsylvania was originally published in 1986 and re-issued in 2010 to favorable reviews in The New York Times Review of Books and photo-eye. After a 15 year detour as a civil rights lawyer, Renée returned to photography.
Chief Editor and special advisor for VEVAIS-WERKDRUCK (photography) is the renowned photographer Jock Sturges.
Project editors include acclaimed poet and photo historian, Prof. John Wood, poet and photography critic, Steven Brown, and Alexander Scholz.
VEVAIS-WERKDRUCK books consist of twenty images which highlight astonishing work from both new and renowned painters, photographers, and graphic designers. Each hardcover book (approx. 30 x 43 cm) is bound by hand with Japanese binding, signed and numbered by the artist, and published in an edition of 300 copies.
Because of the sophisticated printing methods involved, each print is unique, an original. Scholz uses the world's best reproduction/photographic printing techniques. Digital files undergo traditional darkroom chemistries and develop on paper with red, green, and blue light (C-Prints). Some will be printed as pigment print or as UV print. Black and White pictures will be also presented on Baryta paper. Before binding, in some books the prints are mounted fully on special boards. For pigment prints, Scholz works with Hahnemühle paper and for UV-prints (digital screen printing), Scheufelen paper. Some books will be printed with a special digital color technology on Munken, a Swedish paper.
Scholz works with the printers Ralf Lenk / Scancolor and Max van Pham / Fine Art Factory—dedicated artisans who always find innovate ways to produce perfect pictures. Given the unparalleled production and specialization involved, Edition GALERIE VEVAIS guarantees the quality of these prints for up to 100 years.
For collectors of this stunning series WERKDRUCK, edition GALERIE VEVAIS offers an exclusive display of acrylic glass which doubles as a minimalistic sculpture for private living rooms, galleries, and libraries. The basic model for this acrylic stand holds four VEVAIS-Werdruck books. But for those who need more space, the basic model can be extended in two ways. By standing the sculpture in one line or by facing the corners inward, you can add four more books to your collection for a total of eight. The second model can be extended to a more dimensional sculpture of unlimited capacity.
The first thirty copies will sell for approx. 560 Euros, after which the price will increase.